American Artist, Looted. Architect Renzo Piano designed the Whitney Museum's future home, which will open to the public in 2015.

Floornature.com is not considered a newspaper as it is not updated at periodic intervals, and is therefore not a publication subject to the provisions of art. in collaboration with Cooper Robertson (New York), architects. Architect Renzo Piano designed the Whitney Museum's future home, which will open to the public in 2015.
Kieran Trihey, AIA, LEED AP In this Whitney Stories video, Piano articulates the philosophy behind the building's design and describes the experiences envisioned for its spaces, from its expansive galleries to …

Erin Flynn, RA, LEED AP Founded in 1930, the Whitney moved to its current Madison Avenue home, designed by Marcel Breuer, in 1966. R.I. di RE n.03056540374

Total building size: 20,500 mq Location: 99 Gansevoort Street, New York City (USA) In this three-dimensional vision of architecture, we may see a focus on the multi-faceted architectural panorama typical of a district with an industrial heart. Groundbreaking: May 24, 2011 The Whitney Museum of American Art at Gansevoort 2007 - 2015, New York, U.S.A. StatusCompleted. These two floors also step back towards the west to create 13,000 sq ft (1 200 sq. R.E.A. Published by Fondazione Renzo Piano, 2015. 42014 Castellarano (RE) Marlena Lacher Guías

Accessed from the ‘largo’, the main entrance lobby also serves as a public gallery – of free-entry exhibition space. Lauren Weisbrod (project administrator). www.rpbw.com Dates: 2007-2015 The Whitney Museum is building itself a new home in downtown Manhattan’s Meatpacking District. Restaurateur Union Square Hospitality Group / Danny Meyer The first privately owned institute of American art, the Whitney Museum of American Art was founded in 1930 (MOMA was founded in 1929) by the forward-looking Gertrude Vanderbilt Whitney. Annalisa Guzzini Size Stories 9 Due to open in 2015, the project will substantially enlarge the Whitney’s exhibition and programming space, enabling the first comprehensive view of the Museum’s growing collection, which today comprises more than 19,000 works of modern and contemporary American art.

Fifty years later, Renzo Piano was appointed to build a new building that would inherit the same expressive power and be capable of housing a collection which has increased nearly tenfold, from 2000 to 19,000 pieces. The Whitney Museum of American Art has left the famous and controversial Breuer Building behind for a new home in Gansevoort Street, New York designed by Renzo Piano’s studio RPBW. Christopher Payne, AIA, LEED AP Environmental LEED (Leadership in Energy & Environmental Design) Gold rating expected from the US Green Building Council would make the Whitney New York City’s first certified LEED-Gold art museum  The lot Renzo Piano worked on is a very important one: located in the Meatpacking District, a bustling neighbourhood in southwest Manhattan, it is squeezed between the highway along the Hudson River and the start of the High Line, a new city park created by Diller Scofidio + Renfo through redevelopment of an unused branch of the New York Central Railroad.

The Whitney Museum built itself a new home in downtown Manhattan's Meatpacking District. Taking advantage of the vicinity of the High Line, Renzo Piano connects the museum entrance and lobby with the southern exit of the overhead park, opening up a 600 sqm space, then designing an eastern wall made of glass with big patios extending out of the exhibition spaces on the upper levels. In addition to these elements, the urban landscape is made up of factories and butchers’ shops both old and new that still preserve their original appearance and still sell meat wholesale, buildings from different ages packed together in a creative disorder that only makes it more interesting today. Jenelle Kelpe Contact, Conócenos Cookie settings, /es/project/renzo-piano-building-workshop-whitney-museum-of-american-art/5103428, Revestimientos de paredes / papeles pintados.   Client: Whitney Museum of American Art Executive Architects: Cooper Robertson http://whitney.org, Architecture Discipline’s Palm Avenue: going back to nature in New Delhi, Alric and Galindez’s Casa RM, between the pampas and the Atlantic Ocean, Aurora Arquitectos: Residence in Rua Bartolomeu Dias, Lisbon, Renzo Piano's expansion for Harvard Art Museums, Urban Spa: a PKMN workshop with students in Chihuahua, LANDA Arquitectos: Pabellón M in Monterrey (Mexico), West 57th Street: a new courtscraper by BIG Bjarke Ingels Group, Archstudio: Buddhist temple on the river in Tangshan, China, Akihisa Hirata: Art Museum and Library Ota, Japan. © Timothy Schenck/ Whitney Museum of American Art. Nic Lehoux, A view of the Whitney building from West side, Fotógrafo: Thomas Holzmann (Sr Technical Manager)

€27.253.397,00 i.v.     Cod.Fiscale: 03056540374. Structural Engineer: Robert Silman Associates Inside, approximately 4650 sqm of exhibition space is distributed over the fifth to eighth floors; the fifth floor is a 1670 sqm open space, the biggest space the city of New York has to offer to the history of twentieth century American art. 1, paragraph III of Italian Law no. At the time, its collection numbered some 2,000 pieces of 20th-century American art, so its nearly 100-fold expansion needs space to flourish. Construction manager: Turner Construction Design team: M.Carroll and E.Trezzani (partners in charge) with K.Schorn, T.Stewart, S.Ishida (partner), A.Garritano, F.Giacobello, I.Guzman, G.Melinotov, L. Priano, L.Stuart and C. Chabaud, J.Jones, G.Fanara, M.Fleming, D.Piano, J.Pejkovic; M.Ottonello (CAD operator); F.Cappellini, F.Terranova, I.Corsaro (models)

62 of 7.03.2001. This is in addition to new programmatic and spatial requirements, such as an exhibition space suitable to house a collection that includes very large works, a centre for education and instruction, conservation labs, a library with reading rooms, a 170 seat theatre as well as a coffee shop on the top floor and a museum shop on the ground floor. Interior exhibition space: 4600 mq Fronting onto Gansevoort Street, the site lies between the Hudson and the High Line, Manhattan’s recently completed elevated urban park, built on a disused elevated spur of the 1930s New York Central Railroad.
Topping Out (Structural Steel): December 17, 2012 Due to open in 2015, the project will substantially enlarge the Whitney’s exhibition and programming space, enabling the first comprehensive view of the Museum’s growing collection, which today comprises more than 19,000 works of modern and contemporary American art. Level three houses a 170-retractible seat theatre with double-height views over the Hudson River, along with technical spaces and offices. Outdoor galleries & terrace: 1200 mq The Whitney Museum of American Art opened in its new location designed by Renzo Piano’s studio RPBW on New York’s Gansevoort Street on May 1 2015. Renzo Piano Building Workshop Finally, on the top floor is the ‘studio’ gallery and a café, naturally lit by a skylight system in saw-tooth configuration. Clad in pale blue-grey steel panels, the new, eight-storey building is powerfully asymmetrical, with the bulk of the full-height museum to the west, Hudson-side, with tiers of lighter terraces and glazed walkways stepping down to the High Line, embracing it into the project.

Design team: M.Carroll and E.Trezzani (partners in charge) with K.Schorn, T.Stewart, S.Ishida (partner), A.Garritano, F.Giacobello, I.Guzman, G.Melinotov, L. Priano, L.Stuart and C. Chabaud, J.Jones, G.Fanara, M.Fleming, D.Piano, J.Pejkovic; M.Ottonello (CAD operator); F.Cappellini, F.Terranova, I.Corsaro (models), Consultants: Robert Silman Associates (structure); Jaros, Baum & Bolles (MEP, fire prevention); Arup (lighting); Heintges & Associates (facade engineering); Phillip Habib & Associates (civil engineering); Theatre Projects (theatre equipment); Cerami & Associates (audiovisual equipment, acoustics); Piet Oudolf with Mathews Nielson (landscaping); Viridian Energy Environmental (LEED consultant) Principal Materials Concrete, steel, stone, reclaimed wide-plank pine floors, and low-iron glass The Museum is entered via a dramatically cantilevered ‘largo’, a public space that serves as a kind of decompression chamber between street and museum, a shared space, with views to the Hudson and the High Line entrance just a few steps away.

Greg Weithman, AIA (Project Architect) Photographs by: © RPBW - Stefano Goldberg - Publifoto, ©  Nic Lehoux, © Timothy Schenck/ Whitney Museum of American Art Team Cap.Soc. A 30-second online art project: n.151772 | Mecc. Construction Manager: Turner Construction, LLC Mara Corradi Client Whitney Museum of American Art. German Carmona