You are you, I am I". The very first scene concerning the girl sets the theme for the episode. Throughout the Action Arc and into the beginning of the Descent Arc their interactions follow many conventions of romantic comedy. The generally accepted interpretation is that he was trying to determine whether she was real or if they were still experiencing Instrumentality. Go ahead and do it as usual, I'll be here and watch. Marking the appearance of Asuka Soryu Langley, in Neon Genesis Evangelion, episode 8 is mostly used to introduce us to the personality of the German pilot. Shinji: (walking back out) You two work it out. Ikari Shinji/Souryuu Asuka Langley Souryuu Asuka Langley Ikari Shinji Katsuragi Misato Ikari Gendou Ayanami Rei Fuyutsuki Kouzou Original Characters Comedy Action/Adventure Multiverse 2015, Tokyo-3. The situation is used to offer us additional insight on Asuka's bossy behavior and reckless attitude, which leads the three the wrong way, and on Asuka's dislike of Rei. Her rash decision leads them both to a defeat when the angel proves capable of duplicating itself. In truth, she was seeking some love and help from Shinji. Misato has momentarily substituted Rei for Asuka in the synchro-attack training and Rei aces it the first try. Instead of reacting to him with aggression or hostility as she has done many times before, she reacts with compassion, gentleness and affection. During the later stages of the episode, in her fight against the MPEs, Asuka, who found in her mother's soul the support she needed to recover, makes a comment about Shinji's absence: "Jeez! "An easily recognizable silhouette is also important, but I designed the characters so that their personalities could be more or less understood at a glance. The only condition she sets is for him to be hers only, representing Asuka's possessive and jealous nature. Also notable is the fact that though the two of them are shown to be together, neither of their faces are shown in the same shot. Eventually, they reach the headquarters and manage, with a group effort, led (this time successfully) by Asuka, to defeat the angel. The rest of the training, which had them perform everything together, proceeds smoothly, with the two having seemingly succeded in finding coordination. A-Cup Angst: Rei. Kaji and Shinji, for different reasons, couldn't offer her an alternative source of support; as such, she receives the full impact of the blow. Unluckily, her loss is inevitable, as Shinji fails to arrive in time. - Torisuda Jul 10, 2016 at 5:40 1 Also, this scene echoes an earlier one during Instrumentality when Shinji chokes Asuka while arguing with her about whose fault it is that they were never able to get closer. Later in the episode, as Shinji contemplates his loneliness and isolation from his friends, he lists Asuka amongst the persons he misses and wish he could talk to. This "love umbrella" is an traditional reference to someone being paired up as a couple. Shinji, unable to understand others, masks his frustration and despair with a "layer" of anger, not unlike Asuka herself does. Asuka: "It's not like you understand me at all. She is calling Kaji on the phone but fails to get through to him, forcing her to leave a message. Likewise, Misato replies, "No, I embraced him because I loved him.". Asuka is demanding here that Shinji return her attempts at affection, she demands reciprocity, even if she also unwilling to give it back herself. (itself an euphemism in Enlgish), in the Japanese literally "Is that why you held/embraced him?". She's not happy about her chest. Sexual offender registry nj phone number. It is the first time we get a clear look at the way Asuka truly feels in relation to Kaji. She tries to be at her best in order to appeal to him, but in truth she feels hurt and rejected. She is not yet willing to accept his help, not while blinded by her anger. Asuka, in a rare unguarded moment, earnestly explains to him that her feelings towards her stepmother are mostly ones of indifference, only to stop herself and immediately going back to shouting at him when she realizes what she is doing. Asuka refuses Shinji because she doesn't want him to use her as an escape. Misato and Ritsuko even notice that Shinji is suddenly acting more manly. If you cannot be mine and mine only, I don't even want you.". Shinji's reaction isn't particularly amusing for Asuka, as he doesn't quite know what to say and blushes, prompting Asuka to call him a "boring little boy". While the Angels' uncanny designs and movements fit the tone of the story well, they are not really the most personalized characters in the show. Here it is Asuka to fully comprehend Shinji's nature. She was willing to open up to him, only to be hurt in return. Finally, it is often the case that important information is transmitted visually rather than through dialog, so examination of screenshots is necessary. Taken aback by her caress, Shinji begins to cry. Shinji's equally angry and frustrated reply makes it clear what has happened; he has realized that Kaji is dead and will not be coming back, and has tried to explain this to Asuka who is by now in obvious denial about that fact. After a fight with an angel, a boy wakes up in in the hospital missing some of his memory, a girl mulls over some significant mistakes she made in the last week, and a grand conspiracy draws ever closer to its goal. Shortly before being employed Shinji asks Asuka the reason why she pilots. Becoming whole new people after being children is hard. [4] As the kiss ends without the affection she was looking for, Asuka (frustrated with Shinji's passivity and cluelessness) runs to the bathroom to hide her pain. # anime # evangelion # asuka # neon genesis evangelion # shinji # gin # bleach # edit # shinji # aizen Don't they ever stop!? [8] Similarly to how he failed to support Asuka emotionally in the series, Shinji also fails to help her during the MPE fight, causing her to get physically hurt, and this has the ultimate effect of allowing Third Impact to happen. Watch popular content from the following creators: candy/cat (@catgirl1rl), Tik Taker Remi (@.skystem), Bunkerpilled2.0 (@bunkerpilled2.0), Eddie (@yuusfavlesbian), ur mum (@nikolaissweat) . The scene in question is referenced by the mind-violation sequence in ep.22 (Asuka vs Arael), with the strong implication that Asuka was in need of Shinji's support and help due to feeling lonely and (potentially) anxious for the battle of the next day. It is hinted at that Shinji has yet to understand Asuka's jealousy for Kaji, as he is shown to ask Misato why Asuka is trying to avoid her. Satsukawa noted the thematic similarity with Eva, and felt Love & Pop was almost like a continuation of Evangelion, and Anno said he was attracted to the protagonist, a mentally ill girl with multiple personalities. The episode also introduces Kaji Ryoji, Asuka's ex guardian and a man she is shown to have feelings for. In the fight Asuka puts herself in danger, to protect Shinji, returning him the favor from the previous fight. Despite the annoyed tone, the remark can be seen as her admission of needing the boy's support in the fight. You won't even hold me!". In many cases the clues to unraveling a scene can only be found in conjunction with other scenes, as well as the larger narrative and thematic context of the show. The irony is that it's clear that as 14 year old teenagers without a purpose in life or anyone to care for them, they're both sexually and romantically attracted to each other. As it was hinted at, in ep.18, Asuka had been feeling rejected from the first moment we see her in the series. See also: Final Scene in End of Evangelion. Similarly, in Episode 24, when Ritsuko is confronted by Gendo during her imprisonment, she tells him, literally: "Now that I ain't happy even if you hold me. "Why does Asuka want to kiss Shinji? [13] The movie leaves open where they will go from there, but even after all the grievous death and destruction throughout the movie, and even though they are still only starting to grow, it still gives them this hope, as long as they pursue it. Friends see a relationship of which the character's themselves are blind, either teasing or offering advice, however their mutual insecurities keep them from attaining something deeper. Asuka is equally fragile after she inflicts harm on herself and is in the hospital for observation. However, Shinji responds Shinji: LIARS!! shinji, m. Their goals are vague, but it is implied that they are trying to receive, the First Angel, Adam. The distress from this revelation has a serious impact on Asuka's already severely weakened psyche and it is what finally pushes her completely over the edge; as the narrative finally cuts to the present, she has been on the run from home for seven days and seen lying in a bathtub in the ruins of a house, obviously physically weakened and completely sapped of the will to live as Section 2 finally finds her. In Episode 22, above, Shinji is physically distant from Asuka, they are divided by a physical object, and Shinji is visibly tense as he is unable to comfort a visibly crying and furious Asuka. It is its own narrative unity, something that can fundamentally be taken away from its context in the movie and still be interpreted as a dramatic whole. In the series she had shown to understand him, but never to such an extent. The opening scene of the episode introduces Asuka as being in a very volatile mood. You can do anything you like to my body, as you did at that time.". It's a parallel with Gendo and Ritsuko. Qu hizo Shinji en la escena del hospital? It should be noted that, at this point of the story, Shinji perceives Asuka to be the only person whose love could help him recover and feel better, as he admits to her that he is scared of Rei and Misato. This is an additional hint of Asuka's need for other people's support. I thought that Asuka would occupy the position of an "idol" in the Eva world, and that [Asuka and] Shinji should be just like the relationship between Nadia and Jean." See: List of Common Misconceptions#The Asuka in the Hell Kitchen scene wasn't real, As an interesting aside, Sadamoto also suggested during the conceptualization of Eva that the relationship between Asuka and Shinji would be similar to the relationship between Jean, Nadia's love interest and eventual husband in the earlier Nadia.[15]. Anno also guided Ogata to treat OMF partly as a separate story: "as something that just exists. Rei: Because the truth hurts us all Because it's very, very distressing. Discover short videos related to shinji and asuka hospital scene on TikTok. It proves to be her stepmother instead. As such, Asuka has not interpreted Shinji's inaction, particularly during the kiss, as passivity, insecurity or lack of experience, but as outright rejection on his part. Their second exchange tackles Shinji's inability to help and understand Asuka. "It feels as if time has stopped.". The fight of the episode offers the three pilots another opportunity, once again successful, to cooperate. Seeing her asleep, Shinji stares stunned at her for a moment before trying to kiss her, only to then be interrupted by Asuka crying and calling for her mother. Asuka's loneliness and need for help and love, is the main focus of the scene. Asuka realizes she is confiding in Shinji after her phonecall from her stepmother. It is important to note that, in the second part of the mind-violation, Asuka denies feeling lonely and reaffirms her independent attitude. Implication being she had developed a certain curiosity about the First. Asuka looking at Shinji as she caresses him, Legend of the Piko Piko Middle School Students, Episode 09: Once Again They Must Work Together. Asuka, still impressed, points out that perseverance is still a form of power. Another example would be in Episode 09. Shinji doesn't make any move to initiate the kiss (notice that Asuka pauses, expecting Shinji to lean in while he simply closes his eyes and waits). Read the topic about Shinji x Asuka: yay or nay? It is often only by looking at the wider details of a scene, such as background conversations or framing that their true feelings are revealed. Asuka has a revelation: the voice she is hearing is her dead mother's soul residing within her Evangelion. Newtype Film Book Volume 5, dealing with Asuka and Shinji's kiss. She is also manipulative towards him and uses him for her own validation. While fighting Kaworu, Shinji also apologizes to Asuka when he is about to hit Unit 02, as he is in a way being forced by Kaworu to fight her by proxy. As she states that, we are shown flashes of instances, throughout the series, in which Asuka had been in need of Shinji's support: the "walls of Jericho" and the kiss, being the most relevant. Misato sees this and decides it's better for them to live together. Shinji visits a comatose Asuka in the hospital; when his pleas for attention go unanswered, he exposes Asuka's breasts and masturbates. Harkening back to Asuka's desire to be perceived as an adult, Kaji, whom Asuka now has further confirmation is lost to her, appears, telling her again that she's still a child which Shinji also says to himself earlier in Episode 9 when he catches a glimpse of Asuka crying for her mother. This is certainly one of the scenes in which the duality of their relationship is most obvious. They had inserted some references to Eva and particularly End of Evangelion in the film. Asuka is shown to express awareness of Shinji's attraction for her, something she had known since the end of ep.9, but likely received further confirmation of, during Instrumentality. Shinji visits Asuka in the hospital after he's traumatized by his killing of Kaworu and doesn't know who else he can turn towards. Use of the same framing device in Episode 09 is an early hint at the Asuka/Shinji and Misato/Kaji parallels. The reference to the "Walls of Jericho" (famously destroyed in the battle of Jericho), could be seen as a reference to Asuka needing someone to push through her barriers and truly understand her. A remake of the late 94Saturns quintessential Shinji/Asuka story, it is part tribute and part experiment, taking the structure and plot of the original wacky shipping story while attempting to The depressed boy visits the comatose Asuka in her hospital room, begging her for help because he's 'Scared of Misato-san and Ayanami.' Not only do Shinji and Asuka miss a chance to connect further, they also fail to establish support from one other that they would desperately need as the war with the Angels worsens in subsequent episodes. Purpose of Scene 1#: It helps explain the negative aspects Asuka and Shinji's relationship in order to put Shinji's character flaws on display. 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