Drama, Romance. She dreams of going off with Jean, a dockworker. | Jane Sourza, Raymond Souplex, Louis de Funs. In the 18th century game which Rohmer transposes to a contemporary setting, this pair can be seen as intellect trying to dominate instinct, but only succeeding in rousing unwanted passions. The quiet, delicately observed slapstick here works with far more hits than misses, although in comparison with, say, Keaton, Tatis cold detachment from his characters seems to result in a decided lack of insight into human behaviour. Jean-Pierre Laud, Again Caraxs virtues are visual and atmospheric rather than narrative; while the script may occasionally smack of indulgent pretension, there is no denying the exhilarating assurance of individual sequences, and the consistency of Caraxs moodily romantic vision. Dita Parlo, Thats not to say Jacques Demys 1964 favourite is an exercise in whimsy: it might start in the key of blissful romance between gorgeous Guy and Catherine Deneuves luminous Genevive, daughter of the widowed proprietress of the titular shop but it stealthily proceeds to such mundanities as teenage pregnancy, conscription and lives divergent. Enter the Void is his third feature and its a kinetic attempt, with added special effects, to capture the spirit of a city, Tokyo, and a dead young American, Oscar (Nathaniel Brown), whose ghost floats about in a vaguely Buddhist manner after being shot dead by cops soon after smoking the drug DMT. This review is a silly and shallow commentary, to be expected from a gathering place for Catholics who hate to admit the truths of Catholicism and need to constantly invent ways to subvert its truths to accommodate liberal sentimentality. A vital, scalding piece of work. Hold on, pretty butterfly! says Clo (Corinne Marchand), a fretful and fame-occupied singer, to herself as she prepares to roam the city for two hours while awaiting a possibly momentous doctors verdict. One of Resnaiss most underrated explorations of the tone of time and memory. Those whose knowledge of French Nouvelle Vague. parable, whereby her ostracism at school, the cruel neglect by her father, the insinuating glances of the villagers and her gruelling domestic duties stand for the Stations of the Cross. 87 min Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. Best viewed on tape. The acting stinks. The film is all the more interesting for remaining an eccentric one-of-a-kind that feels every bit the product of its writer-directors unique sensibility and worldview. Down the mean streets of film noir walk hardboiled detectives, slinky femme fatales, and all manner of corrupt and brutal criminals. | Loulous non-judgmental insights into such universal concerns as happiness or love for others may seem initially too voyeuristic but, beware, they have a tricky habit of haunting you long after its ended. Theres a reason shes one of our pick of the50 coolest filmmakers in the world: she does her own thing in her own inimitable naturalist style. Nane Germon, Votes: The acting stinks. Comedy, Drama, Romance. NEXT:10 Great Movies About The French Revolution Everyone Needs To See. GA, The result of a long collaboration (and tortured production history) between animator Grimault and the respected screenwriter Jacques Prvert, this animated cartoon tells of the downfall of the king and kingdom of Tachycardia. Then, theres that classic Miles Davis score, recorded in only two days while the musicianwas visiting Paris. 93 min Adrienne Servantie, Laurent Terzieff, works because its message is in the medium: it reinvents the past to remind us that no artist should be afraid to confront the future. Stars: unable to dream himself, he has stolen the nightmare of a kidnapped orphan. It may be Christmas for the troubled Vuillard clan in the north-west French town of Roubaix but its not shared seasonal goodwill thats bringing this extended brood back together in the family home. Ren Lefvre, Suzy Delair, Votes: Marcel L'Herbier From the moment Clement walks through the school gates, he can sense trouble, much of it perpetrated by the repressive headmaster Rachin, who believes that physical punishment is the only way to keep the boys in line. Such ethereal, delicately cinematic touches add to a film which is content to let a dazzling, witty script (by Jacques Prvert), sumptuous set design and exceptional performers lend the fiction its lifeblood. And while director Michel Hazanavicius is faithful to the silent form there are title cards and luminous black-and-white cinematography hes not afraid to subvert the rules of the genre: twice, the film breaks the no-sound barrier, to striking effect. Stars: minche's Favorite Movies of the 1940s Rank This Chart. Sylvie, Some claim that it Check out some of the. Comedy. | Charles Blavette, Yolande Beaulieu, 99 min WP Diamonds is the modern alternativeto pawnbrokers, auctions and consignment. Insane gadgets slam and roar, high heels click like metronomes, and even a depressed dachshund in a tartan overcoat obligingly submits to Tatis meticulous direction. Embracing every level of French society, from the aristocratic hosts to a poacher-turned-servant, the film presents a hilarious yet melancholy picture of a nation riven by petty class distinctions. Dita Parlo plays Juliette, the smalltown girl married off to Jean (Jean Dast), captain of LAtalante, a grubby barge plying the waterways of rural France. SJO, Le mpris. 105 min Like one of Eric Rohmers Moral Tales recast as a smouldering thriller, the film is marked by an intense, unromantic rigour absent in the directors early work. My favourite sentence: 'Few show both the beauty of humility in the face of injustice and the way this humility can be marbled with self-hatred.' Adapted from a Georges Bernanos story, Mouchette describes the life and tribulations of a poor, barely mature peasant girl (played with sullen but affecting grace by non-professional Nadine Nortier), and remains a magnificent and deeply rewarding example of Bressons stripped-down methods of cutting and framing, sound and dialogue, performance and movement. But it is a hard comedy whose punchline is the absurdity of shameless power and shamed truth. | Jean Gabin, An ensemble film, as its title suggests, Vincent, Franois, Paul et les Autres follows a group of friends (played by Michel Piccoli, Grard Depardieu, Yves Montand and Serge Reggiani) who meet regularly to commiserate over their personal troubles. Carl Theodor Dreyer Refusing to raise the cap on our national debt would not lead to reduced government spending. DC, The great Louis Malle shepherds all the elements of a great thriller into an endlessly entertaining, quickfire 88 minutes in this juicy Parisian noir. Many films made during the occupation were comedies and melodramas similar to those before the war. Andr Brunot, At the heart of this ambiguous world is Silien (Belmondo), by repute a professional informer, who juggles twin friendships with a police inspector (Crohem) and a burglar (Reggiani). Jean-Pierre Zola, The politics of the piece are confrontational, to say the least, but there is a maturity and depth to the characterisation which goes beyond mere agitprop: society may be on the point of self-combustion, but this film betrays no appetite for the explosion. Seberg quotes books and ideas and names; Belmondo measures his profile against Bogarts, pawns a stolen car, and talks his girlfriend into a cash loan just till midday. However, his ill health, a brief return to the debauchery of brothels and drink, and his irrational resentment of his brother Theos failure to sell his work, provoke erratic swings from brooding introspection to frustrated anger. Dolly Scal, Not Rated WH, Those whose knowledge of French Nouvelle Vaguelinchpin Franois Truffaut begins with The 400 Blows and ends with Jules and Jim should seek out this steely 1964 study in the cruel mechanics of illicit love. Clouzot neednt have worried: on a good day, he was arguably better. | This includes no less than 46% of all directors who had filmed 2 or more films between 1936 and 1940.. Truffaut stars as indefatigable director Ferrand, shooting a fusty melodrama called Meet Pamela and wearing the same sports jacket, shirt and tie combo as he would in Close Encounters of the Third Kind. | 1280, but this eccentric, darkly comic look at a series of bizarre murders is stylishly crafted and thoroughly entertaining. In addition, this era helped the rose of a sub-genre dubbed as womans film. Yes, Hulot as champion of the individual is oddly de-personalised. A young priest taking over the parish at Ambricourt tries to fulfill his duties even as he fights a mysterious stomach ailment. The fact that his childish lead (Jean-Pierre Laud, of course) is too often in a strop to concentrate on the part, or that his star (Jacqueline Bisset) is a woman on the verge of a nervous breakdown are accepted as part and parcel of the business. Essentially, the plot is about an alibi, yet Melville turns this into a mythical revenge story, with Cathy Rosier as Delons black, piano-playing nemesis who might just as easily have stepped from the pages of Cocteau or Sophocles as Vogue. Please contact us at members@americamedia.org with any questions. matter. Such text-book reservations come and go as this extraordinary film meanders like the Arpels concrete garden path. Strange insights into the effects of racism and the complicity of its victims, embellished with black wit and an elegant visual sense. It was the making and the undoing of her: the pain somehow lent her singing an even greater emotional intensity, at the price of a punishing intake of drink and pills. Stars: Crime, Drama, Romance. Charles Vanel steals the show late on as a shambling, pre-Columbo detective, but the real star is Clouzot as director. Marika Green, | France has always had a heavy impact on film. The film notes fairly that there have been impostors before, who claimed to see visions in order to fleece the gullible. The church should listen to both. | French Fried Vacation 2 (1979) Not Rated | 90 min | Comedy 7.4 Rate Eight tourists who met in a holiday camp on the Ivory Coast are reunited for a skiing holiday. Directors: Dimitri Kirsanoff | Stars: Sun, sex and suspicion. CA, In 1962, Trauffaut released an adaptation of Henri-Pierre Rochs novel Jules et Jim. When an all-singin, all-dancin motorcycle roadshow rolls into town, the girls decide to give one last big performance before upping sticks and moving on. Strange insights into the effects of racism and the complicity of its victims, embellished with black wit and an elegant visual sense. The film wasnt restored till the 1950s. This website uses cookies to improve your experience while you navigate through the website. Its satisfying on just about every level: from its grasping, murderous schemers (played by Jeanne Moreau and Maurice Ronet) to its plot that twists and turns in all sorts of deliriously tricksy ways. He wants to tell you stories, but he cant find a story big enough to deal with his sense of contrasts, his wish to grasp fleeting moments, his recurring memories. Castella (Bacri) is an industrialist, married, who in his own world, is king. A young accountant (a still-flushed-cheeked Isabelle Huppert, in one of her most sensual and mysteriously protean performances) leaves her incredulous, angered bourgeois husband for an earthy, unemployed petty ex-con (a superbly equine and cocksure Grard Depardieu). Her father (played by Pialat himself) understands her, but when he leaves home for another woman, family life erupts into a round of appalling, casual violence, until Suzanne escapes into a fast marriage, and finally to America. The whole is summed up by the concluding line happiness is no lark. On to this slim story, writer-directors Jeunet and Caro pile a wealth of delicious comic detail. Comedy. | Gross: Paul Hbert, Not Rated In 1960 French filmmaker Ren Clment was first to adapt Patricia Highsmiths 1955 novel The Talented Mr Ripley Anthony Minghella returned to it 40 years later with Matt Damon and Jude Law in the roles of Tom Ripley and Dickie Greenleaf, played here by Alain Delon and Maurice Ronet. He combats the inertia and boredom of his frustrated antagonists with a thrusting, jiving camera style which harries and punctuates their rambling, often very funny dialogue. Georges D'Arnoux, DC, Made in 1976, Alain Cavaliers Fill er Up With Super is a well-kept secret among French cinephiles. Horror movies, especially supernatural ones, often turn on questions of authority. Jany Holt, Death and maybe the DMT cause Oscar to revisit the events leading to his death. They converse in disjointed, inhumanly droll patter, duff up gas station attendants and eagerly concoct a new civilisation on a deserted beach. Perhaps strangest of all is that the protagonists girlfriend seems for most of the film to be the only young female in town, but thats a very minor criticism when compared to writer/director Dumonts tough, confident handling of mood, milieu, pace, performance and theme. Transferring the action from the American Deep South to French West Africa in the late 30s, Tavernier elicits a characteristically colourful performance from Noiret as the manic but outwardly easy-going slob of a cop who initiates a private vendetta against the towns more obnoxious citizens by resorting to murder. Marie Cardinal, If things dont work out, we send your items back to you free of charge and fully insured. David Thomson calls Clouzots a cinema of total disenchantment. Stars: Stars: Indifferently, he agrees, is whisked through a suburban no mans land to a laboratory, and accompanied by the mouse as an experienced travelling companion sets off on his weird, fairytale trip through time, only to become hopelessly lost. | Biography, Drama, History. But whether youre a Nouvelle Vague obsessive whose Criterion Collection has overtaken your living room or just a big fan of Amlie, youre sure to discover something new in this countdown of the best French films released between 1902 and 2022. TM, Durass main protagonist is Anne-Marie Stretter (Seyrig), a bored consular wife in 30s India, and the film details the languorous desperation that drives her to suicide. Now stop imagining things and go to see Sans Soleil, in which Marker, cinemas greatest essayist, sums up a lifetimes travels, speculations and passions. His wealthy household ( See full summary, Director: slob of a cop who initiates a private vendetta against the towns more obnoxious citizens by resorting to murder. Soon, the courageous innovators will land their rocket on the apparently uninhabited lunar plains, observing personally the miracles of space, but oblivious to the Moon Emperor's frightful hordes of Selenites, who are prepared to ward off the intruders. This dubious trinity plans a heist facing terrible odds, till an unyielding inspector and their personal demons and histories seal their destinies. Orane Demazis, The WP Diamonds process is simple, fast and secure. Jacques Tati, Stars: And sure, a lot of it can be hard for non-scholars to grasp pioneering New Wavers like Jean-Luc Godard and. Jean Epstein Director: The March for Life has always had one message: End Roe v. Wade. | Comparing her to the feminist degenerates who lie about rape to score cynical political points for the pro-abortion crusade, and therefore further victimize real victims of rape, is a silly cheap shot.The message of Lourdes faithfully transmitted in this story, originated by a Jewish author, and despite his literary liberties, eludes this author. This is a glorious experiment in, and exploration of, the nature of cinema. The film gives us Jean-Louis (Jean-Louis Trintignant), a dapper 34-year-old engineer with a good line in wry, toothy smiles who works for Michelin in Clermont-Ferrand. GAD, Although one of Jacques Demys final films, Une Chambre en Ville had been in the works for several decades before it was finally produced in 1982. 168 min 55,894 French-Argentinian filmmaker No doesnt do subtlety. This is a great movie, an austere masterpiece, with Delon as a cold, enigmatic contract killer who lives by a personal code of bushido. With its trio of teenage sirens who spend most of the film sauntering about the coastal town in their underwear, listening to psychedelic pop or engaged in trivial banter the film evokes Rohmers moral tales, although it is appreciably less austere. 1915: Slaughter at Gallipoli; first use of gas on the Western Front; Lusitania sunk. In the leading role, Dutronc displays a physical frailty and stooped sadness that complements Pialats beautiful, poignant images. Born into poverty, she was discovered on the streets of 30s Paris, singing for her supper, precipitating a remarkable rise to fame and fortune. Director: This short, black and white, and silent film by Georges Mlis might be his most famous film, the most well-known short film in existence, and is considered by many to be the first sci-fi film ever. Married, who claimed to See that it Check out Some of the individual is oddly.... Some of the 1940s Rank this Chart the events leading to his.... Was arguably better sex and suspicion it is a well-kept secret among French cinephiles Slaughter at Gallipoli ; use... Who in his own world, is king but this eccentric, darkly comic look french films 1940s a series of murders. Victims, embellished with black wit and an elegant visual sense Clouzots a cinema of total disenchantment Sun. Detective, but the real star is clouzot as director on film have been impostors,... 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