Sal Cinquemani, Midnights is far removed from the folk instrumentation of Folklore and Evermore, coming closest to mirroring 1989s more uptempo electro-pop palette. Only vault songs are included. Miss Americana & the Heartbreak Prince, however, is her stock in trade, a richly painted narrative punctuated by cool synth washes and pep-rally chants, while The Archer is quintessential Swift: wistful, minimalist dream pop that displays her willingness to acknowledge and dismantle her own flaws, triggers, and neuroses. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. But none are more affecting than "champagne problems," a first-person post-mortem after rejecting a marriage proposal a classic "it's not you, it's me" scenario with simple piano chords accompanying the guilt of walking away and the peril of being mentally unwell ("'She would've made such a lovely bride' / 'What a shame she's fked in the head,' they said"). Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. Now, without further ado, here's EW's ranking of Taylor Swift's seminal albums. The brooding production glitches and glitters, embracing the indietronica thats permeated the last few The National records. The best Taylor Swift's Albums rankings are on the top of the list and the worst rankings are on the bottom. Whether it's a song about an ex or someone else who wronged her, Swift's clever, catchy "revenge tracks" have only continued to improve from here. "Evermore" takes us deeper into the mystical music-writing forest established by "Folklore," but like many sequels, it doesn't resonate as powerfully as the original. 2023 Oscars predictions: See who will win at the 95th Academy Awards. Midnights is simultaneously a rare treat and a return to normalcy. Shes doing exactly what shes always done: offering a collection of incisive, often provocative songs that incorporate authentic, first-person details and leaving others to argue over specific genre signifiers. But, as is tradition, the haters hardly scratched the surface of this sixth record, overlooking its genuine feats of all-encompassing production and high-energy, in-your-face vocals. With the addition of six from the Vault tracks (songs written at the same time as the album, that Swift shared with the re-recorded version), it was like opening a musical time-capsule; with tracks like the emotive Fifteen taking on a new meaning as a poignant tribute to her teenage life. The singers first four albums barely scan as country music in a meaningful way, instead embracing her preternatural gifts for pop conventions, and her output has gotten stronger the more openly shes embraced those skills. Working with a whos who of trendy producers and writers (Jack Antonoff, Max Martin, Ali Payami alongside indie darling Imogen Heap), she crafted a collection of glossy belters, that flit from fluffy dance-pop (Shake It Off) and sophisticated electronic-tinged bops (Blank Space, Style), to glorious indietronica (Out of the Woods, Clean). The songs are as fresh as they were when first released in 2014 with the choruses still getting embedded in your head. Then there are the hopeful messages embedded in the minor-keys of "marjorie," an homage to her opera-singing grandmother, and "happiness," the chorus of which captures the album's essence best of all: "There'll be happiness after me / But there was happiness because of me.". Unlike previous albums, no singles were released before the official album drop, and at 3 a.m. What's likely the most famous track on this album, "Teardrops on My Guitar" is a textbook example of a popular Swift trope: a relatable song about a boy punctuated with clever lyrics. Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. As ever, Swift deftly pivots from upbeat tracks to sad ballads with devastating bridges that make you want to cry your eyes out. Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. Its not just the shock drop that felt different, though, as musically it saw Swift dive head-first into a new sonic palette of wistful indie-folk. Released in 2008, "Fearless" steps away from country and edges into pop in an impressive balance of the two as Swift continues to develop a style that is uniquely hers. Expectations were sky high, raising the stakes with them; just how close can Taylor fly to the sun? By albums end, Swift assesses her crumbling empire and tattered reputation, discovering redemption in loveonly Reputation isnt so much a rebirth as it is a retreat inward. Pam Grier reflects on her most iconic roles, from, now backpedaling their initial criticisms, unrequited love looming on the high school bleachers, Professor of Commercial Music explains to EW, reclaiming the masters of her life's work, New Reputation: Taylor Swift shares intel on TS7, fan theories, and her next era, The best song from every Taylor Swift album. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. "Champagne Problems" serves as a painful tale of a failed relationship. After embracing folk-flecked sounds on sister albums Folklore and Evermore, for Midnights Swift instead turns to bubbling synths and percussive beats, this sleek production run under the artists late night musings. For the album ranking, I considered a few factors including cohesiveness, listening experience, the number and quality of standout songs, and if the album is musically interesting or lyrically special. And, of course, "Marjorie" is a masterful and beautiful tribute to Swift's grandmother that's packed with soulful and illustrative lyrics. What follows is a collection of stone-cold glimpses into the ripple effect discontentment has on relationships: the sadness of a seasonal lover, affection and effort met with indifference, infidelity ending in death. Written in her freshman year of high school, it positioned her as a country-crossover hopeful ready for mainstream success. In recent years, shes also become a music business game-changer: most notably for re-recording her first six albums in order to regain control of her masters, which has seen Swift release the Taylors Version of both Red and Fearless. Only time will tell if "Midnights" will climb up my ranking, but as a new album amidst an outstanding discography, more time is needed to test how well it stands out from the rest. Note: If you make a mistake DO NOT click backspace unless you find extremely necessary. Fearless. Between those extremes is a reliable lineup of ultra-catchy mega-hits that infected the cultural consciousness through Top 40 countdowns and, later, TikTok videos. First emerging as a country-crossover artist, shes since embraced glossy pure pop and indie-folk; but while her sound may have changed, Swifts brilliantly honest lyricism and songwriting talent has remained a keystone in her tunes. In this critical-darling album, Swift has done away with over-the-top production, catchy lyrics, and any sort of hit-making formulas and instead presents a stripped-back collection of songs with captivating stories and, in true Swift form, incredible lyrics. Her earlier works' fanciful twang and youthful daydreams still linger on tracks "Speak Now" and "Mean," but where Fearless was purely starry-eyed, Speak Now instead wields a wonderstruck vernacular like a cherished childhood locket and scorches a hole in the heart-shaped photo. But reputation is much more than an extended diss track; It's also a not-so-private ceremony for a new, hush-hush love affair (that years later blossoms into a now-rumored engagement to partner Joe Alwyn). Its a brilliantly honest moment, taken from Swifts most mature album yet. Fearless in its original 2008 form was adolescent in every way: a gentle voice singing fantasies of Juliet finding her Romeo, a boy on a white horse beckoning his hardened princess. The contrast of that relationship with the one detailed in "Champagne Problems" makes the latter seem even more heart-wrenching. "Speak Now" comes in at no. Rather, their relative simplicity only adds to Fearless' charm, bridging the old with the new a woman's voice singing a girl's anthems to make a once good album now great. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. Thus, Taylor Swift is reduced to the last spot on our ranking, partially by default, though also with respect and not without a good fight. Lover. The imagery for the album was filled with snakes, and lyrics subtly (and at times, not so subtly) addressed their falling out. On Thursday at midnight, Taylor Swift dropped her 10th studio album, "Midnights." But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. Swifts surprise eighth album arrived with very little fanfare. the album's opening track, and in the closing track, "New Year's Day," when we hear a stripped-down, piano-heavy ballad in which Swift sings emotion-filled lyrics. But before expanding on her honeymoon phase, we're treated to the tour-de-force track "Cruel Summer" (not a Bananarama cover), a buzzer-beating, angst-wielding anthem that's among the greatest pop songs her auteur has ever crafted. Thus, her 10th album is at the neutral midpoint on this list, though Midnights' careful metaphors are some of the best mirrors for abstract projection and self-reflection that listeners will find on this list. Listening to folklore then is like wiping the cuff of a cable knit on fogged glass to peer in on private moments. True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. some of the music released later in her career. But clearly, Taylor is capable of much more, and her nine subsequent albums are proof. And of course, "Long Live," the last song of the album, is a masterpiece that features the story and emotions of Swift looking at her journey and successes up to that point in time. Her once apolitical music is, on Lover, peppered with references to Americas current state of affairs, both thinly veiled (Death by a Thousand Cuts) and more overt (You Need to Calm Down). It made sense then for this, her second studio album, which won her four Grammys including Album of the Year, to be the first altar in the "Taylor's Version" re-recording saga. The albums standout tracks retain the narrative detail and clever metaphor-building that distinguished Swifts early songs, even amid the diversions wrought by the aggressive studio production on display throughout. Cinquemani, Swifts 1989 severed whatever vestiges of her country roots remained on 2012s Red, replacing acoustic guitars and pedal steel with multi-layered synthscapes, drum machines, and densely packed vocal tracking. Though she only first arrived onto (and soon conquered) the popular music scene 16 years ago, the breadth and depth of her work seems more the stuff of a lifelong evolution, spanning multiple genres and breaking industry records almost every time around. Though she was praised for her songwriting right out of the gate, what Swifts self-titled debut truly shows in hindsight is how diligently shes worked to hone her craft over the years. It won a mantelpiece of awards including the Grammy for Album of the Year but perhaps even more impressive is the fact its already left a massive impact, a mere six years after it was released. The bridge to Fifteen includes a great, revealing line about a friends lost innocence (And Abigail gave everything/She had to a boy/Who changed his mind/And we both cried), while the playful melody of Hey Stephen captures the essence of what makes for indelible teen-pop. 1989 instead is sonically joyous without losing dimension or leaning on familiarity. Jonathan Keefe. So while still an undeniably amazing album, and a true testament to her style's shape-shifting abilities, she can and has done better than 1989 even if it was her second go-around for Album of the Year. Shes described it as a sister record to the aforementioned Folklore; where that record allowed Swift to completely reinvent her sound, coupling her trademark hooks and vibrant storytelling with indie-folk instrumentals, Evermore exudes a new sense of confidence. So it is written in "State Of Grace," beginning the album with a percussive prologue la U2, warning that we "fall in love 'til it hurts or bleeds or fades in time" before proclaiming, almost joyously, that she'll "never be the same." That she employs her long-established songwriting tropes in novel ways is truly the most significant development here. Cruel Summer, co-written with St. Vincent, a euphoric three minutes of exhilarating 80s synth-pop, should have been a single. No one would have blamed her for taking a well-deserved creative hiatus after that marathon of releases, but Taylor has proven herself to be an artist of momentum multiple times over. Back in 2006, a little-known country singer called Taylor Swift released her debut single Tim McGraw. Although she claims the old Taylor is dead in the lyrics of "Look What You Made Me Do," we see touches of her "old self" in the softer chorus of otherwise intense "Ready For It?" 1 as it best represents the evolution of Swift and her music. "Red" and "Lover" remain in the middle of the pack. Taylor Swift's 10 seminal albums, ranked In honor of her instant-classic, record-breaking new LP Midnights , here's EW's ranking of Taylor Swift's 10 studio albums from her illustrious career. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. "Marjorie," track 13 on "Evermore," is about Swift's grandmother. Keefe, Folklore is neither a culmination of Swifts career to date nor a pivot in a new direction. And on this album, in particular, the stories she tells are about how her narrators choices impact others, often in ways that cause irreparable harm. ranking every taylor swift song - YouTube 0:00 / 1:02:35 ranking every taylor swift song julia cudney 186K subscribers Subscribe 12K Share 235K views 2 years ago spotify. It marks a shift from the retro-minded pop-rock of 1989 toward a harder, more urban aesthetic, and Swift wears the stiff, clattering beats of songs like Ready for It? like body armor. The album has been described as escapist, cottagecore-inspired, and was written and recorded during the COVID-19 pandemic. Offers may be subject to change without notice. Immediate highlights include tracks like "Willow," an upbeat song that transports listeners back to the "Folklore" universe. Following on from the release of Swift's 10th album 'Midnights', let's take a trip down memory lane and take stock of the superstar's career so far. ", As Craig Jenkins for Vulture put it, "Although the album fixates on big enemies and bad reputations, the buried lede is a quiet romance budding in spite of them. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. Copyright 2023 Meredith Corporation. Standout songs on the album include "The 1," which sets the tone of the album; "The Last Great American Dynasty," a folk song-esque storytelling in Swift's signature style; and "Exile," two perspectives on a broken love story (the lyric video shows off the mirroring narratives well). Rather, it recalls the key moments of a love gone awry in arresting detail "I'll get older, but your lovers stay my age" wasting not a single word in confronting a past partner many years her senior (unanimously believed to be Jake Gyllenhaal) nearly 10 years after the fact. A 20-year-old Taylor, mid-transition from childhood to adulthood, draws from that dizzying dysphoria and uses it to refine her already awe-inspired songwriting. Released in 2012, "Red" is a clear departure from Swift's country days, though she holds onto her signatures, like tragic tales told with beautiful lyrics and upbeat, catchy hits, pivoting easily between the two. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. You could have at least changed RED/FEARLESS to Taylors version. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. Its an effortless fusion that, like much of 1989, displays Swifts willingness to venture outside her comfort zone without much of a safety net, and test out an array of sonic experiments that feel both retro and of the moment. In honor of her instant-classic, record-breaking new LP. Her narrators often seem to lack insight because Swift writes with the point of view that hers is the only story to be told, which makes songs like Dear John and Better Than Revenge come across as shallow and shortsighted. Pick what song you like better in each battle to get an accurate list of your favourite songs. Reputation is, without a doubt, Taylor's most polarizing work to date. escaped the fate of Pharrell in Minions or Timberlake in Trolls). 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" In every instance, whats noteworthy is Swifts precision in communicating her exact intent. But in the meantime, Midnights remains on repeat with high regard. Acoustic guitars, violins, and banjos enjoy free reign, dancing across tales of childhood friends destined for sparks, short-lived summer love, and backroad rendezvous. But her mounting success undoubtedly stands on the shoulders of Speak Now's case studies of condensing complex inner dilemmas seeing your parents' failed marriage as a prophecy, wishing you'd never grown up into an album still adorned with hope. The Grammy-winning Mean is amongst Swifts most underrated songs, Sparks Fly is a toe-tapping head-banging anthem and break-up slow-burner Back to December is a karaoke classic. But as we all know, Taylor Swift isn't like other artists. And I'm telling you, it's going to be a journey. This is based on A. Released as a surprise sister album to folklore, it focused on Swift's exploration of lyrical storytelling based on tales and experiences that weren't her own. "This ain't for the best / My reputation's never been worse, so / You must like me for me," is a perfect thesis for the album as a whole on "Delicate," one of the LP's highpoints for its light-as-air ambiance, late night whispers coasting on a swirling current of synth waves. Released in 2006, Swift's first studio album is so country that newer fans may barely recognize the songstress' sound considering she has experimented with a number of other genres since then. Swift shines brightest on these songs, building and developing her story out of economic but evocative turns of phrase.". But once the title track's idyllic and endearing comedown is over, and the atmospheric funeral march for past woes of "The Archer" makes way for new beginnings, Lover has very few high points after its fifth track. Lists Evermore: Every Taylor Swift Album, Ranked According To Reddit Evermore: Every Taylor Swift Album, Ranked According To Reddit By Meah Peers Published Dec 12, 2020 With two new albums, Evermore and Folklore, released this year, how does Taylor Swift's new work compare to her classics? The music of folklore takes its time to unfurl, ivory keys yawning at dusk, acoustic strings waking at daybreak. "We Were Happy," Fearless (Taylor's Version) (2021) There's a thin line between timeless and basic, and this "from the vault" track stays on the wrong side. Filled with rootin tootin tunes like Tim McGraw, Our Song and Teardrops on My Guitar (largely considered Swifts breakout song) that stormed the Billboard Hot Country Songs chart, it earned a teenage Taylor support slots on tour with Brad Paisley, Rascal Flatts and Faith Hill. On 2012s Red, Swift began her transition from country crossover artist to creating glossy, mainstream pop; on its 2021 re-record we were reminded just what a superb songwriter Swift has always been. She's an artist defined by eras (as is the name of her heavily anticipated upcoming tour) a Reputation era for self-defense, a Lover era for romantic solace which her adoring fans latch onto and assign to their own life stages with fervor. Keefe, Swifts third album, Speak Now, is problematic in precisely the same ways that its predecessors are, but there isnt a song here that isnt an absolute wonder of technical construction. The best All Taylor Swift Songs (including Midnights) rankings are on the top of the list and the worst rankings are on the bottom. Taylor Swift currently has 10 albums, with 2022's "Midnights" being her most recent release. Less gradual was Swifts shift from political agnostic to liberal advocate. And that's really all Swift, whose genius for conversational melodies and knack for giving every chorus a telling new twist every time around remain unmistakable trademarks.". Whilst it has less T-Swiz classics than other releases, across the board its one of Swifts strongest albums, bursting with catchy morsels. Songs like "Blank Space" and "Wildest Dreams" are more than deserving of their far-reaching recognizability, but not so much their long time (and only recently dethroned) standing at the top of Taylor's Spotify play stats. Tracks to sad ballads with devastating bridges that make you want to cry your out... 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